The message behind most romantic comedies is the simple-minded sentiment that love is all you need. So when Danish filmmaker Susanne Bier takes that title for a departure from somber drama to romance, you might expect her to deliver it with some serious irony.

Selling your first home in a buyers’ market? You can get the best possible price if you know how to negotiate.

It’s not often art lovers get to see a work in progress let alone contribute to it, but Arizona Opera gives fans the opportunity to do just that this weekend when they present the first reading of “Riders of the Purple Sage” — an original opera based on Zane Grey’s western novel, set on the Arizona-Utah border.

The people of "Peeples" make a better impression than most collections of oddballs in the weary mold of comedies centered on meeting the prospective in-laws.

Maybe the hat on Sam Messina’s head is less about uniform attire and more to cover the continuous discoloration of his hair.

The jury has rendered its verdict — Jodi Arias is guilty of first-degree murder — but the trial is far from finished.

Jodi Arias was convicted of first-degree murder Wednesday in the gruesome killing of her one-time boyfriend in Arizona after a four-month trial that captured headlines with lurid tales of sex, lies, religion and a salacious relationship that ended in a blood bath.

Facing a recalcitrant Senate president, Gov. Jan Brewer said Monday she is working instead with individual lawmakers in her bid to expand the state's Medicaid program that may need to bypass Andy Biggs.

Preparing for a debut of his short film on Tuesday for friends, family and a panel of local cinematographers, Mountain Pointe High School senior Vincent Cota was putting the finishing touches on the piece after school this week.

The Norwegian directing team of Joachim Roenning and Espen Sandberg, whose biopic of World War II resistance fighter Max Manus was a huge hit on home turf, have turned to another native hero for "Kon-Tiki." One of the most-vaunted escapades of the 20th century, Thor Heyerdahl's 1947 Peru-to-Polynesia expedition by raft gets glossy big-screen treatment in this efficiently told action-adventure. Delivering visual drama and understated character study, sometimes in disappointingly formulaic fashion, the feature has its incisive moments but falls short as both epic and intimate portrait.

If you watch the trailer for “Renoir” – a new period drama from French filmmaker Gilles Bourdos – a variety of adjectives are bound to come to mind: conventional, humdrum, lackluster. Sure, they’re trying to sell the story of one of the all-time great painters in a mere two minutes, but nothing about it grabs your attention – let alone, compels you to sit through the actual film. Luckily, this is not exactly the case for the movie itself, which is exquisite to look at but unfortunately devoid of any real insight into Pierre-Auguste Renoir. You come wishing to learn about the artist and his work, but instead leave dwelling on the film’s more engaging supporting characters.

When one thinks of the Holocaust film genre, dramas such as “Schindler’s List” and “The Pianist” instantly come to mind for their harrowing portrayals of victims and survivors who suffered at the hands of Nazis. But what about the German survivors – more specifically, the children of Nazi war criminals forced to come to terms with the atrocities of their parents? This is a question posed by the exceptional new German-language film, “Lore,” Cate Shortland’s follow-up to her acclaimed 2004 feature “Somersault.”

It's a given at multiplexes these days that despite switch-off-your-cell-phone announcements and the occasional grumbling protest, whatever's onscreen will have to compete with tiny pockets of light from audience members unable to stay off their handhelds. Watching those glow patches come and go during "Disconnect" reinforces the film's position on how desensitized we've become to these technological intrusions. Not that Henry-Alex Rubin's schematic multi-strand drama is at all shy about articulating its themes.

Although we have yet to see an official trailer or production still, I already have mixed feelings about “The Delivery Man.” This upcoming dramedy starring Vince Vaughn follows a middle-aged slouch whose life is turned on its head when he discovers that he’s fathered more than 500 children as a sperm donor – 142 of whom wish to determine who their biological dad is.

Robert Redford does his most compelling work in some time as both actor and director in "The Company You Keep," a tense yet admirably restrained thriller about a fugitive forced out of hiding after 30 years to prove his innocence. Adapted with clarity and intelligence by Lem Dobbs from Neil Gordon's novel, and lent distinguishing heft by its roster of screen veterans, this gripping drama provides an absorbing reflection on the courage and cost of dissent.

In “Wrong,” a movie playing through April 12 at Harkins Valley Art theater, Alexis Dziena plays a love struck pizza-shop employee who leaves her husband for Jack Plotnick’s sad-sack protagonist, whose canine's disappearance sets off a bizarre and unpredictable chain of events.

Emily Woodward-Shaw, a seventh-grader from Chandler's Athlos Traditional Academy, was awarded a gold medal for photography in the 2013 National Scholastic Art & Writing competition. The name of her work was “Standing By."

You may better know her sister, Dakota, from box-office smashes like “War of the Worlds” and “The Twilight Saga,” but 14-year-old Elle Fanning has already made quite a name for herself among the arthouse set, appearing in such acclaimed works as “Babel,” “Somewhere” and “The Curious Case of Benjamin Button.” This month, she takes center stage in a new drama from writer/director Sally Potter entitled “Ginger & Rosa” – a coming-of-age tale set in 1962 London as the threat of the Cuban missile crisis looms overhead.

Riveting, intelligent and a masterclass in acting, “Beyond the Hills” is likely to be the best film you’ll see this spring or maybe even this year.

The first image you see in "The Place Beyond the Pines" is of Ryan Gosling's shirtless torso, ripped and tatted atop a skin-tight pair of leather pants.

DirecTV’s Audience Network is producing a completely original show with “Rogue,” which premieres at 9 p.m. Wednesday, April 3.

Arizona high schoolers may soon be rid of having to pass AIMS -- or any standardized test -- to graduate.

Up there with “Stoker” and “Like Someone in Love” as one of the best films to hit theaters this spring, “War Witch” is devastating, beautiful and truly not to be missed. An Oscar nominee for Best Foreign Language Film, this gut-wrenching tale of a child soldier has been reeling in the accolades: Best Actress awards for young star Rachel Mwanza at both the Berlin and Tribeca film festivals, along with a whopping 10 honors (including Best Picture) at this year’s Canadian Screen Awards.

In a week when North Korea posted a homemade video showing the U.S. Capitol building being destroyed by a missile, what more logical response could Hollywood offer than a macho thriller about a Secret Service agent who takes on North Korean terrorists who attack the White House? The first of two similarly themed action dramas set for this year ("White House Down" arrives in June), "Olympus Has Fallen" will put to the test the question of whether American audiences are ready, 12 years after 9-11, to watch, strictly as disposable popcorn entertainment, a film in which the United States and some of its most prominent landmarks are devastated by foreign terrorists.