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Know a Disney-crazy kid? Bring them to Mrs. Potts Tea Party on Oct. 23 for a singing, manners-learning, sandwich-munching, tea-sipping good time.
ORLANDO, Fla. — If there's ever been a summer to visit a theme park — or two, or three — this is it.
It may be a “tale as old as time,” but "Disney’s Beauty and the Beast” will never feel old hat to generations of new children or eternal fans of romance and fairytales.
Darick Pead and Hilary Maiberger
Get Out is giving away a four-pack of tickets to Disney’s Beauty and the Beast, playing Tuesday, April 9, at ASU Gammage in Tempe. The prize package includes a $100 gift certificate to nearby Z’Tejas restaurant.
From “Snow White and the Huntsmen,” to “Mirror Mirror,” to “Hansel and Gretle: Witch Hunters,” to “Red Riding Hood,” the film industry has really been banking on adult-oriented fairytales as of late. Television has additionally gotten in on this fairytale fad with ABC’s “Once Upon a Time,” NBC’s “Grimm,” and, to a lesser extent, the CW’s “Beauty and Beast.” So what’s been causing this recent outbreak of fairytale reinterpretations aimed at grown-up audiences? Perhaps it can be attributed to the concept of nostalgia. Since fairytales are typically the first stories ever introduced to us, everybody identifies with them. By giving these timeless tales a PG-13 spin, they can appeal to our inner child while also satisfying our desire for something more mature. “Jack the Giant Slayer” comes close to working as a fun fantasy adventure for childish adults and sophisticated kids. If only the familiar story had more of a twist to it.
From “Snow White and the Huntsmen,” to “Mirror Mirror,” to “Hansel & Gretel: Witch Hunters,” to “Red Riding Hood,” the film industry has really been banking on adult-oriented fairy tales as of late.
Zombies are terrible characters. That’s not to say there haven’t been plenty of good movies featuring zombies like “28 Days Later,” “Shaun of the Dead,” “Zombieland,” and the George A. Romero classics. In those films, however, it was the human characters and their pursuit to endure the zombie apocalypse that kept the audience invested. Unlike vampires or werewolves, zombies have never been blessed with interesting back-stories, individuality, or moral dilemmas. Last summer’s “Chernobyl Diaries” left me asking why couldn’t there be a movie about a mutant/zombie who’s intelligent with character traits and motivation. Jonathan Levine, who previously made the wonderful “50/50,” responds to my question in “Warm Bodies.”
Zombies are terrible characters. That’s not to say there haven’t been plenty of good movies featuring zombies like “28 Days Later,” “Shaun of the Dead,” “Zombieland,” and the George A. Romero classics.
In the eight years I’ve taken on the regular duty of reviewing movies, 2012 just might have been the best. It wasn’t easy compiling a top 30 list for a 12-month period of so many diverse, outstanding films. I found myself having to make some absolutely painful snubs, including “Flight,” “The Sessions,” “The Hobbit: An Expected Journey,” and a little cinematic masterpiece by the name of “21 Jump Street.” In the end though, I managed to narrow the list down to the 20 titles that best encompass 2012 in all its glory. If you’re still behind on the movies of yesteryear, consider this your ultimate movie guide to 2012.
In the eight years I’ve taken on the regular duty of reviewing movies, 2012 just might have been the best.
There’s always that one person — whether an ignorant friend or snarky online commenter — who bemoans what a weak year it’s been for film. To those naysayers I reply, “Well, you just haven’t seen enough movies.”
There’s a faint collective gasp all around me the instant ten pale horses break from the darkness and tear, as a herd, through a clearing dappled with soft light.
From elaborately decorated trees to drive-through lighting displays to boat parades and train shows, a variety of holiday spectacles are being staged through the end of December and into early January around the country. Here are a few of them.
“That movie would have been infinitely better if it had been shown in 3-D.” I cannot speak for the rest of the movie going population, but this is one sentence I will never utter walking out of a cineplex. That is not to say 3-D technology is completely expendable. With the right movie, 3-D can be effectively exploited and have an enriching impact on a cinematic experience. In a majority of cases though, 3-D merely acts as a shameful method for the studio to increase the ticket price. Some people buy into the assumption that 3-D makes a movie appear more realistic and integrates the audience into the action. When not properly executed, however, 3-D can have dark, dreary and distracting consequences on a film originally shot in 2-D. In that sense, 3-D not only robs the audience of an extra $3, but also takes them out of the motion picture.
“That movie would have been infinitely better if it had been shown in 3D.” I cannot speak for the rest of the moviegoing population, but this is one sentence I will never utter walking out of a Cineplex.
“Here Comes the Boom,” with Kevin James as a tubby high school science teacher who becomes a mixed martial-arts sensation, is every bit as ridiculous as it looks.
"Here Comes the Boom," with Kevin James as a tubby high school science teacher who becomes a mixed martial-arts sensation, is every bit as ridiculous as it looks.
Spending hours a day for weeks fighting, kicking and lifting himself with rubber bands, Stephen Amell has come to a conclusion. "There's no faking it for this show," he says.
Performing Arts 2012-13 theater season preview
One of the great things about living in the East Valley is the wealth of kid-friendly theater options at our fingertips.
Emily Behny as Belle and the cast of Disney's Beauty and the Beast
In this promotional photo released by Disney Pixar Animation, Dory, lower left, and Marlin, lower right, face an ocean full of perils in their efforts to rescue Nemo in this scene from Pixar Animation Studios :Finding Nemo." The Walt Disney Studios has announced limited theatrical engagements for four of its classic films for the first time in 3D. "Beauty and the Beast," " Finding Nemo," "Monsters Inc.," and "The Little mermaid," will be re-released in 3D in 2012-2013.