‘Crossing Jordan’ crosses over with a ‘Las Vegas’ TV tie-in - East Valley Tribune: Get Out

‘Crossing Jordan’ crosses over with a ‘Las Vegas’ TV tie-in

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Posted: Sunday, November 7, 2004 7:26 am | Updated: 4:39 pm, Thu Oct 6, 2011.

November 7, 2004

Last spring, during a presentation for advertisers on the set of the Monday night hit ‘‘Las Vegas,’’ series creator Gary Scott Thompson, NBC chief Jeff Zucker and star Jill Hennessey of the Sunday night forensic drama ‘‘Crossing Jordan’’ bandied about the idea of crossing over the two NBC dramas.

The result is a two-part storyline that begins on tonight with the ‘‘Jordan’’ episode, ‘‘What Happens in Vegas Dies in Boston,’’ and concludes the next night with the ‘‘Vegas’’ episode ‘‘Two of a Kind.’’

Although on the surface the gritty ‘‘Jordan’’ and the glitzy ‘‘Vegas’’ wouldn’t seem to have a lot in common, Thompson thinks it’s a good fit.

‘‘On our half, it isn’t a problem,’’ he says. ‘‘We have jets, we fly whales (big gamblers) anywhere, so we can go anywhere and do anything. And for them to come here, everybody comes to Vegas.’’

On this afternoon on the Culver City, Calif., sets of ‘‘Vegas,’’ ‘‘Jordan’’ stars Hennessey, who plays Boston coroner Jordan Cavanaugh, and Jerry O’Connell, as Beantown detective Woody Hoyt, are huddling with ‘‘Vegas’’ regulars Josh Duhamel (security operative Danny McCoy) and James Lesure (McCoy’s righthand man and former parking valet Mike Cannon) around the bar of the fictional Montecito Hotel.

Lesure’s character is attempting to summarize the first half of the plot, which focuses on a dead high roller with millions handcuffed to his wrist.

By the time he tries to explain it to everyone, a widow is involved, people have been accused of murder, and there is something about a bunch of cookies — ‘‘Chocolate chip cookies,’’ Jordan interjects — baked with poisoned cocaine.

As if this mouthful of a speech — a bit over 16 lines in the script — isn’t enough (and, to his credit, Lesure nails it almost every take), apparently Lesure faces a worse one the next day.

‘‘That’s the one that really scares me,’’ Lesure says. ‘‘The first one clicked for me quick, the one tomorrow is all over the place.’’

Asked why Duhamel didn’t do more of the expository heavy lifting, Lesure laughs. ‘‘I don’t know. I want the love scenes, and I want him to have the exposition. You can print that in the headlines.’’

In passing, Thompson hears Lesure’s gripe about his lack of an on-screen love life, and shouts back, ‘‘You’re gay. The show’s never said he wasn’t.’’

‘‘This is true,’’ Lesure says. ‘‘It’s upsetting, if you’re me. I got into this business partly to play with beautiful women as well.’’

While everybody thought the crossover was a good idea, on a practical level, it was another matter.

‘‘When you do a crossover,’’ says ‘‘Jordan’’ producer Tim Kring, ‘‘obviously, your actors are working on their show, and so they can’t be working on your own show. What that means it becomes a logistical nightmare scheduling these things, so you can free up enough time that happens to coincide with the other show.

‘‘Neither of our shows was shut down to do this, which would have been the smart thing. We had to fold them into our schedule.’’

On a personal level, the schedule worked out for new pals O’Connell and Duhamel, who got to visit each other’s home base.

‘‘I’ve know Josh for a while,’’ O’Connell says. ‘‘I was excited to work with Josh. Was also a little excited to work with Miss Molly Sims, Miss Vanessa Marcil and Miss Nikki Cox.’’

‘‘I love hanging out with Jerry,’’ Duhamel says. ‘‘He’s one of the funniest people I’ve ever met in my life. To go over there was even more fun. It’s a morgue with dead people. We’re over here with girls in tight dresses and lots of money.

‘‘We’ve got two extremes: People who are living life to the fullest, and people who don’t get to live anymore.’’


‘‘Crossing Jordan’’/‘‘Las Vegas’’ crossover episodes air 9 p.m. Sunday and 8 p.m. Monday on NBC.

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